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6 Culture Trends Worth Watching: Madonna, Avengers: Doomsday, Million-Dollar Jackets, and More

A data-driven look at the Emmys’ cultural relevance, Hollywood’s latest layoffs, country music’s mainstream rise, and an overpriced leather jacket—plus recommended reads and datasets.

TREND 1 MUSIC / LEGACY ACTS

A Madonna Renaissance

Somehow, two things are true:

  1. Madonna is back in the zeitgeist.
  2. The year is 2026.

Over the past few weeks, Madonna has been the top artist trending on Reddit—and not for a tabloid scandal or a health scare, but for her music.

Table of the most discussed music acts on Reddit over the last 30 days, indexed to the top act: Madonna 100, Taylor Swift 92, L7 67, Bonnie Tyler 58.

Among all legacy acts—that is, artists who released music before 1990—the queen of pop has seen the second-largest increase in monthly Spotify listenership in 2026.

Bar chart of 2026 Spotify monthly-listener growth among artists who debuted by 1990: Michael Jackson up 90.2%, Madonna up 34.0%, Black Eyed Peas up 18.9%.

The only singer to surpass Madonna in terms of newfound streaming interest is Michael Jackson, who is a) dead and b) the subject of an overwhelmingly sanitized biopic released this year.

Anyway, back to Madonna: how did a 67-year-old pop star find herself back in the cultural conversation? In short, she did the work.

Madonna has been on a press run for the ages in the lead-up to the release of her new dance album, Confessions II. The past few months have seen the ‘80s icon make a Coachella appearance with Sabrina Carpenter, perform at the World Cup halftime show, release a short film at the Tribeca Film Festival, stage an elaborate brand partnership with dating app Grindr, and mount several dance club pop-up performances.

The result has been a steady drumbeat of cultural interest, culminating in Confessions II debuting at No. 1 on the Billboard album chart.

Line chart of Madonna's Spotify monthly listeners in 2026, rising from 42.0 million in February to 55.8 million in July, annotated with her Coachella appearance, World Cup halftime announcement and Confessions II debuting at No. 1.

If there ever were a playbook for a cultural figure to reclaim their place in the zeitgeist—without releasing a derivative biopic—then Madonna may have executed on this roadmap to perfection.

TREND 2 HOLLYWOOD / BUSINESS

Entertainment Industry Layoffs

There is no business like show business. Every year, tens of thousands of industry hopefuls—be they actors, aspiring executives, or prop department enthusiasts—descend upon Los Angeles with the hope of “making it.” And while Hollywood has always been a crapshoot, the degree to which the industry is a crapshoot can vary by the week.

During the streaming boom, Hollywood saw a period of sustained expansion unlike any other time in its history. And then the streaming bubble burst.

In early 2022, Netflix reported its first subscriber decline in more than a decade, sending its stock price tumbling over 50%. That disastrous earnings call, coupled with mounting concerns about inflation, convinced Wall Street that streaming’s era of boundless growth was over.

Since then, the industry has seen a litany of job cuts, including a Disney layoff two weeks ago that slashed hundreds of positions.

Bar chart of the largest post-pandemic layoff rounds at major entertainment companies, led by Disney's 7,000 cuts in February 2023 and Paramount rounds of 2,000 in August 2024 and October 2025.

According to data from the Bureau of Labor Statistics, LA entertainment employment peaked in 2023, before myriad layoffs and strikes sent this figure to a 30-year low.

Line chart of payroll employment in Los Angeles film and television production since 1990, peaking at 149,800 and now at 101,000, a level last seen outside the pandemic in the early 1990s.

And I’m sure you’re looking at this and thinking to yourself, “How can this get any worse?” Well, the answer is that it most certainly can (and will), assuming Paramount’s acquisition of Warner Bros. eventually goes through. Most likely, the numerous “synergies” between the two historic studios will yield more job loss when Warner-Mount inevitably needs to cut costs to pay back the oil magnates who financed the takeover.

I have no pithy joke to close this section; this simply stinks.

TREND 3 TV / AWARDS

Do the Emmys Matter?

Open almost any streaming app, and you’ll be greeted by a glossy tile promoting that platform’s 2026 Emmy nominees. Year after year, HBO, Netflix, and Apple prominently showcase the programs recognized by television’s most prestigious awards show. Which raises an obvious question: do the Emmys matter?

The boring answer is yes. As long as streaming services continue touting their Emmy pedigree across digital banners and real-world billboards, this 77-year-old institution can plausibly claim cultural relevance.

However, the degree to which the Emmys ever mattered, and how that significance has changed over time, is far more debatable.

Over the past three decades, viewership for the Emmy Awards has fallen dramatically. Fewer people are watching the ceremony, though this broadcast has also followed the same downward trajectory as every live television event that is not American football.

Line chart of the U.S. TV audience for the Primetime Emmy Awards, from a peak of 21.8 million to an all-time low of 4.5 million, recovering slightly to 7.6 million.

Perhaps a better way to assess the Emmys’ relevance is to compare their cultural footprint with that of other major award shows. By this measure, television’s prestige celebration falls well behind the Oscars, the Grammys, and even the Golden Globes in both broadcast viewership and Wikipedia traffic.

Paired bar charts for 2025 award ceremonies: Oscars 19.7 million viewers and 1.46 million peak Wikipedia views, Grammys 15.4 million and 1.11 million, Golden Globes 9.3 million and 610k, Emmys 7.6 million and 422k.

To add insult to injury, the Emmys do not meaningfully increase viewership for the programs they honor.

Looking at the 2024–2025 crop of nominated shows, several programs entered Nielsen’s weekly Top 10 near the end of the Emmy eligibility window, when newer releases may benefit from recency bias among voters. Yet none of these shows returned to the chart immediately after nominations were announced or the ceremony aired.

Weekly count of 2025 Emmy-nominated series in the Nielsen streaming Top 10, with appearances clustered inside the eligibility window and almost none after nominations or the ceremony.

For frame of reference, we often see Oscar nominees and winners hit the Nielsen charts following nomination announcements, with viewership spikes both before and after the televised broadcast.

There are, of course, other approaches to discerning relevance. But by the aforementioned metrics, the results are not promising.

That said, I’d prefer this awards show matter. Prestige—most readily conferred by way of a televised awards show—creates a positive network effect for all of television. If the awards don’t matter, then the incentive to create awards fodder goes away, which thoroughly undermines the existence of all HBO shows.

TREND 4 MOVIES / MARKETING

Avengers: Doomsday Has Hit the Zeitgeist

The first Avengers film in over seven years is coming to theaters this December, which is exciting for those who still believe in the promise of the Marvel Cinematic Universe. Marvel is pressing ahead with Doomsday despite a recent string of box-office disappointments among its non-Spider-Man releases, including The Fantastic Four and Captain America: Brave New World.

The first official trailer for Doomsday dropped in mid-July and saw mass coverage across a YouTube universe of fanboys (and fangirls!). The film is now the top-trending movie or TV show on YouTube, outpacing recent releases like The Odyssey and Spider-Man: Brand New Day by orders of magnitude.

Bar chart of film and TV mention volume in U.S. YouTube trending videos over two weeks: Avengers: Doomsday 100, Spider-Man: Brand New Day 13, House of the Dragon 11.

Upon further investigation, it appears this interest uptick was likely orchestrated by Marvel’s marketing team, as the July 21st trailer debut saw a combined 75 Doomsday-related videos grace YouTube’s top 200 list of trending videos, with the majority of these entries being fan reactions.

Line chart of daily U.S. YouTube trending videos about Avengers: Doomsday versus Roblox and Minecraft, spiking to 75 Doomsday videos when the official trailer debuted July 20–21.

Marvel likely gave these influencers early access to the trailer and then coordinated the release of this content to hyper-saturate YouTube on a single day—which is just a smart promotional strategy (well done, corporate marketers!).

Any Avengers release would and should garner this level of fanfare, yet this particular campaign may require even more work on Disney’s part. In a fascinating game of release-date chicken, it appears this Avengers installment will hit theaters the same day as Dune: Part Three—which feels like it should be illegal but is not.

As such, Marvel must pull out all the stops to ensure its offering appears more interesting than Timmy Chalamet riding a sandworm. Either that, or they’re banking on a Barbenheimer-esque Dunesday crossover.

TREND 5 MUSIC / COUNTRY

Choosin’ Texas

Country music is often portrayed as a genre that exists within its own cultural silo. That may have been true in the 1980s, but over the past three decades, country has steadily expanded its reach. The genre’s mainstream ascent has accelerated sharply in the past five years, as Beyoncé and Post Malone both released country albums, while Morgan Wallen has amassed the fifth-most entries in Billboard Hot 100 history. More than The Beatles!

The genre’s cultural dominance reached a new milestone this past spring with the phenomenal success of Ella Langley’s “Choosin’ Texas,” which has spent 16 weeks (and counting) at No. 1 on the Billboard Hot 100, outlasting recent releases from Olivia Rodrigo, Drake, and Future.

This longevity places “Choosin’ Texas” among the longest-reigning No. 1 hits in Billboard Hot 100 history, trailing only “Old Town Road,” “Despacito,” and “All I Want for Christmas Is You.”

Bar chart of the longest runs at No. 1 on the Billboard Hot 100: All I Want for Christmas Is You 22 weeks, A Bar Song (Tipsy) and Old Town Road 19, Choosin' Texas 16.

Langley’s success offers yet another case study in country music’s remarkable mainstream rise. In 1980, country songs accounted for roughly 5% of the Billboard Hot 100. Today, they make up nearly 30% of the chart.

Small-multiple line charts of genre share of Billboard Hot 100 songs since 1960 for pop, hip-hop, country, alternative, rock and R&B, with country rising sharply since 2000.

Country has firmly established itself as a dominant force in popular music, and if the charts are any indication, Ella Langley is not going anywhere anytime soon.

TREND 6 CULTURE / AUCTIONS

The Jensen Jacket

Steve Jobs had his trademark turtleneck, Mark Zuckerberg had his hoodies, Elizabeth Holmes copied Steve Jobs’ wardrobe, and Nvidia CEO Jensen Huang has his black leather jacket.

For some reason, humanity loves fetishizing the wardrobes of tech executives, as though a signature outfit might somehow confer superior business instincts. For proof of this sartorial obsession, look no further than a recent Sotheby’s auction featuring a leather jacket worn by Jensen Huang.

The Tom Ford jacket was initially valued at $60,000, which already seems excessive for an article of clothing that does not solve all your problems. Ten days and 65 bids later, Huang’s extremely normal black jacket sold for $960,000.

That price places the Nvidia CEO’s jacket in the pantheon of celebrity garments (that have also been auctioned off), alongside Michael Jackson’s Thriller jacket and Marilyn Monroe’s iconic “Happy Birthday” dress.

Bar chart of final auction prices for famous clothing: Babe Ruth's Called Shot jersey $24.1 million, Michael Jordan's 1998 Finals jersey $10.1 million, Jensen Huang's jacket $960k.

Among this distinguished collection of clothing, Huang’s jacket sold for the largest multiple of its presale estimate, fetching 16 times what Sotheby’s initially projected.

Dot chart comparing presale estimates and final sale prices of famous garments: Jensen Huang's jacket sold for 16.0 times its estimate ($60k estimate, $960k sale), the largest multiple shown.

Unless the jacket possesses magical powers similar to the shoes in Like Mike, I’m comfortable saying the winning bidder overpaid.

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